And that's just what happened when I posted my Gold Finch painting from a couple days ago. I knew it was almost there, but it just did not "feel" right. There was something jarring about the painting that I could not quite clarify.
Some people suggested that the background (the field) was too dark. That wasn't quite it. I knew the dark field at sunset was both natural and provided a startling backdrop for the bird and red bud tree.
I continued to struggle at articulating what was not quite right. I was very pleased with some of the contrasts. Light versus dark. Yellow-orange versus blue-green. Left slanting limbs versus right slanting bird and sky. Lots of interest for the eye. Still, something needed improvement.
So, I give a big shout out to +Pedro Castro Caiado Ferrão, who politely suggested that I missed the mark on the three rules of perspective. Those rules include:
- decrease of the size of objects proportionally with distance
- muting of colors with distance
- decrease of the precision of details with distance
Once again, taking the time to teach others paid off for me. I learned an invaluable lesson in a way that will maximize that I will really employ it. (The greatest acceptance of knowledge comes when you are ready for the lesson. I've known about perspective. I just was not ready to internalize it with one of my own paintings. Now I see what I was missing. Lesson learned ... Now to practice what I've learned).
So, can you now see what I found this painting both a delight and jarring at the same time?
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